“象彦”漆器博物馆 Zohiko Urushi Museum By WARO KISHI

   日本漆器博物馆纪念gzohikoH第三百五十周年，一个京都FS标志传统漆器店/车间
在一楼的美术馆是一个当代空间，全从后面小庭院灯。看似一个工作的最小的艺术博物馆，收藏拓展漆艺FS可能找到当代生活方式的地方。
安装在院子里的楼梯台阶，沐浴在自然光，相反，黑暗的空间，用人工光照明，似乎接近二楼。在这层光的来源是有限的那些作品，闪耀，为了保护漆，让观众看到金银的细节。然而，真正的工艺吸引出来时，日常生活中使用的。因此，二楼的空间有不同的特点。展览空间包含了地板和壁橱正式从日本传统的房间。15m的钢板，挂在天花板上作为工作的背景，和照射纸张滑动屏幕邀请观众进入循环的展览空间。这样的设备，二楼的博物馆提醒日本当代住宅空间的访客。
    The project was to design a Japanese lacquer museum to commemorate the 350th anniversary of ?gZohiko?h, one of the Kyoto?fs hallmark traditional lacquer stores/workshops
The gallery on the first floor is a contemporary space, full of light from the small courtyard in the back. Seemingly a work of minimal art, the museum?fs collection expands the potential of lacquer art to find a place in contemporary life style.
Mounting the steps of the stairs along the courtyard, drenched with natural light, a dark space, in contrast, illuminated by artificial light, appears approaching the second floor. The sources of light in this floor are limited to those that shine on the exhibited works, in order to protect lacquer and to allow the viewer to see the details of the gold and silver. However, the true allure of craftwork comes out when used in daily living. Thus, the second floor space has various characters. The exhibition space incorporates the raised formal floor and alcove from a traditional Japanese room. The 15m steel sheet, hung from the ceiling as the background of the work, and an irradiated paper sliding screen invite viewers into the circular exhibition space. With such devices, the second floor of the museum reminds the visitor of a contemporary Japanese residential space.

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